What Was Left speaks to domesticity, labour, and materiality. Constructed from fragments repurposed from larger works, the piece embraces rough stitching and visible seams. It resists polish, yet sits inside a formal frame like a queen on her throne, elevating what might otherwise be dismissed as waste. By framing these remnants, the work questions how value is assigned, transforming leftovers into a symbol of resilience and renewal. What is discarded is not without meaning, it can be reframed, re-seen, and reclaimed.